So there I am this morning lying in bed in that mode you have where you have woken quite successfully but then realised your not at work so you drift in the middle of an ethereal dream world, still dreaming and real life kind of taking notice of the radio in the background whilst it plays a soundtrack to my ongoing dream, me taking on an army of Mexican warlords armed only with my trusty 1970 Plymouth Hemi Cuda, a couple of Franchi Spas sawn offs and a case of single malt in the boot. I then go on to release the fury of the Antichrist on them and rescue a Nadine Velasquez lookalike who is so thankful she lets me treat her to a massive punch in the knickers!
1970 'Cuda........ Your Bad Self!
Franchi Spas
My Whiskey Bombs!
Nadine Velasquez...... Yeah!!
So as I'm about to get down to spending some quality time with my recuee I hear something on the radio that immediately draws me from my dream state............... Good job really as I would have gone to bed with a problem and woken up with a solution on my stomach.
So I'm now awake and kind of wondering what it was that drew me out of my possible wet dream? It was a track that was on the radio and I was listening to it fade out and to be honest it didn't sound too remarkable, it just sounded like that bland Amerirock that floated about in the mid nineties. Then Moylsey informed the Nation that it was the Red Hot Chili Peppers new track................. EH????
This is an issue for me as I actively dislike the RHCP. They did in my eyes one good album which was in 1985 called Freaky Styley and that was only because it was produced by George Clinton the funk genius behind Parliament-Funkadelic and Atomic Dog etc. and who incidentally is 70 on Friday... So Big Up Birthday Massives to Mr G Clinton Esquire. Anyway I digress I really don't like them and find their brand of merry-go-round rap rock fuckin awful plus I think Anthony Keidis is a twat which after lazily reading his autobiography Scar Tissue in 2006 was confirmed on a biblical level.
So what hook was it in this track that woke me? must be something good for two reasons. 1. I pride my self on having a sixth sense on all music that within a few bars of the intro will know wether or not it'll be bumwipe or not and can give a detailed reason why and 2. I finally had an operation done on my left ear on Monday morning so even though a lot better still feels a bit underwatery. So I leap out of bed, put the coffee on, downloaded the track and lit a cigarette and got out my metronome as it was going to be a long morning of music analysis................. Or so I thought.
So there I am, computer hooked into the cinema system and a single Bose ear bud plugged into my dodgy ear, I didn't want to miss a thing. So I lit a cigarette inhale deeply and looked at the packet, it was almost full and I was glad as I have been here before with Sour Times by Portishead, not as I thought it was shit I wanted to find out what the samples were and that took about four hours, mainly as that was 2003 and the internet was dial up and also a bit bonk for the intended research too. For your info the main sample was Lalo Schifrin's Danube incident from 1967 which you can listen to here:-
that was the easy one but i wanted a few obscure ones off some of the extended mixes I had and they were Smokey Brooks 1971 Spin It-Jig and The Black Sheep 1991 Butt In The Mean Time. I'm not going to embed links to them as you possibly wont recognise them and mainly as I can't be arsed.
So hits play and starts listening... It starts off as I expected very bland and as I lean over to take a swill of my coffee there it is!!!! 40 seconds in, a fucking cowbell tap overlayed across the main percussion track. Nahh can't just be that so kept on listening and there it is again at 4 mins and 6 seconds. Ahhhhh Shite.
See I've always had great pride in my taste and knowledge of music and why I like it. Now something as simple as a fucking cowbell brings it all crashing to its knees, I started to have a run through some of my all time faves and sure enough the clangy Swiss bastard features at some point in all of them.
Hey Ladies - Beastie Boys, Honky Tonk Women - Rolling Stones, Good Times Bad Times - Led Zepplin, We're An American Band - Grand Funk Railroad, Lowrider - War, Daft Punk Is Playing At My House - LCD Soundsystem and countless number of tracks by the Beatles, Rage Against The Machine, Funkadelic, Public Enemy, 3rd Bass, EPMD, Corduroy, Digital Underground, Serge Gainsbourg, MC Solaar, Guns And Roses, Portishead!!, Massive Attack and many, many, many more.
What makes this conspiracy even worse Its been going on since "Pop" music started in it's current form in the fifties with Anette Funicello's Tall Paul. That was in American Graffiti you know!
So all in all I'm a bit shattered. Am I that shallow? just play any old shite and stick a cowbell on it and that's me hooked? I must be I put it to the test too, I played the intro of the Birdy Song stopped it then played the cowbell riff off the Beasties Hey Ladies and although very shit sounded remotely credible in a Hispo Hop manner. But then it gets me thinking cow bells are Swiss, the Swiss are Nazi's and therefore the Nazi's have been invading popular culture since the fifties. The horrid Genocidal Bastards probably subconsciously buttering us up for when they invade from the dark side of the Moon in 2018!
Fuck this I'm off to reconsider everything know and if anybody comes round they'll probably find me self harming whilst listening to the Fast Food Rockers and tapping a cowbell at the same time. A bit like a home made version of what happens to Malcolm McDowell in Clockwork Orange..... Well either that or I'll be cracking one off over Nadine Velasquez
mmmmmm Nadine!!!
Gegen der Kuhglocke Nazi's ......................YEAH!
(you might wanna google translate that last bit on further thought it's NOT pro Nazi propaganda)
LATERS YEAH!!!!!